Are some of us just innately attracted to whatever fire is burning? Are there some who aren't drawn to the schoolyard brawl, or really don't hear the crying? Or are they just more able to know when to turn away, to move away from the magnetism of a crisis rather than into it.
I like to think of myself as having enough self protective oilskins to be able to wade into a storm and come out relatively unscathed. I fancy myself as good a judge of character (read 'red flag') as anyone. Better than most. I am naturally suspicious, yet monumentally loyal, even to those who have lied, deceived or avoided the truth with me. I believe in my assessments so fervently that even in the face of overwhelming 'evidence', I trust my inner panel of flashing lights rather than any external reminders of their failure. I have rarely, over my entire life, been wrong when choosing a friend. Those times when I wonder what piece of my antenna was busted are so few that they stick like pieces of cling film to my memory.
I don't know why I remembered her over the last few days. I have not remembered her name. I was, oh maybe 18 and I had been venturing to a bar in Soho - the Oasis - a hidden place behind a gate down an alleyway reeking of the usual suspects. One of those alleys in London that had not changed since the days of Dickens, moss covered dark brick, damp dribbling down through the cracks, large uneven paving stones. I used to love the sound of high heels captured in the tunnel. I couldn't see the legs they adorned, but I imagined the kind of woman I never met in the dingy bar. A short hallway led from the front door to the back of the building, on the right the larger mens bar, where actors from the West End met with drag queens from Camden Town, both eyeing the truck drivers and fruit and vegetable sellers from the Covent Garden Market. To the left a tiny room, a palm tree in one corner, its leaves stained dark from years of beer and nicotine abuse, a lone lightbulb hanging in an orange paper shade.
The two butch women in their forties sitting at the bar turned as I walked in. I vowed then, never ever to be like them. Heavyset, their hair slicked back, their flesh a sort of grey with tired eyes, a cigarette rolling in their yellowing fingers and a pint in front, another being pulled and a shot glass to the side. She sat between the two women. She didn't turn.
There was no jukebox in the women's side of The Oasis. Music drifted in from across the hallway, from the men's bar. The men didn't stop us moving across the border, but the laughter subsided if one of us crossed the damp carpet and into the larger space where at least someone was telling jokes, even if most involved the word 'bitch'.
I noticed that she, the girl, no older than I was, had left the two murky figures at the bar in the other room and was opening a door off the hallway, and as she disappeared I could see it wasn't a toilet, but a staircase leading to darkness above. She smiled at me before gently closing the door. I was 18, what did I know? That question seems odd. I understood more about the dirty laundry of human interaction than I should. But I was 18 and suddenly in love. With the girl who lived in a room with three others, up a staircase that stank of whisky and stale cigarettes, sleeping on a cot with dirty unmade sheets, in an attic room with a sloping roof with window panes cracked, and clothes, hairspray and lipstick discarded on the floor, cups stained with coffee and the constant to and fro of men on the staircase, above a queer bar in a Georgian building in the shadow of the Opera House. If you pulled on the layers of wallpaper bulging from the walls, the place might collapse in a heap.
What part of 'red flag' didn't I understand? When she led me by the hand and up the stairs a week later, a black woman our age lay on one of the cots, sleeping. I protested. I could not make love in front of someone. She shushed me 'she doesn't care'. She was right. For the first time in my life I knew what it felt like to want to 'save' someone. And at 18, I made love to her, and she faked coming. I was lost. Over the two months I saw her, I turned my eyes and ears away from every clue. Then one summer evening, I met her in a pub near where I was working and as she started doing business right over my shoulder, I, in my best knight in shining armour decided to do battle with her clients. Most shook their heads and walked away. But one didn't. As I stood my ground, which was a little shaky at best, he took his shot and I dropped to the ground. The barmaid threw him out, and she, my girl, followed, cursing me for getting hurt and interfering in business all at once.
One lesson I don't appear to have learned - how to walk away from a situation I can't win. I left the bar behind them and onto the bustling rush of Upper Street in Islington. The man, incensed by my persistence, hit me again, and I stumbled off the sidewalk into the gutter. And stood up. He hit me again. He yelled at me to stay down. She screamed at me to stay down. He shouted that if I was going to behave like a guy, I was going to get hit like a guy. It wasn't until a crimson gash cracked open above my eyebrow and blood trickled into my ear that I stayed, on all fours, gasping for air and pride. Saliva dripped from my swollen mouth.
She looked at me with unbearable pity and sadness. 'Go home, Jill'. He opened the door of a white sedan and she got in. I pushed away the offers of help, a cup of tea or sympathy, and stuffed the tears back into the sockets of my eyes. There are some of us who can't seem to walk away from a fight, not when there is someone to be rescued. Bloodied, I found my motorbike parked a street away, I placed the helmet on my head and winced as it grazed a wound. I drove home and bathed. 'Rescue' is a strange curse. 'You can't save someone, Jill', they say. But there's always a nagging doubt, and the
white horse stands ready, the sound of its hooves and it's impatient
snorting echoing in the tunnel, the suit of armour gleaming, hangs
in the closet.
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