I've always liked Thanksgiving as a holiday - more so than any other, except maybe the icon of my occasional Jewish observance-ness - Yom Kippur. Atone, forgive, atone, forgive. Love it. It's when Jews get to do their fevered soul searching officially. The rest of the time it's just restless cosmic Jewish sadness as my neighbor Sally puts it. Sounds about right. Harvey Milk was a good Jewish boy, the son of eastern European parents. And yesterday, on the 30th anniversary of his brutal killing, the movie 'Milk' directed by Gus van Sant opened in San Francisco. I couldn't imagine being anywhere else, and so Susie, Bonnie and I headed to the Castro for one of the showings of the film. It's a good film, it isn't a great one, but it is one that screamed to be made and which should earn Sean Penn an Oscar nomination for a performance which was so compelling it was hard to remember that Milk himself was not right there on the screen. The opening credits are as crude a reminder as there can be that just three and four decades ago (in the era of love and peace and Haight Street) men were being dragged from bars, handcuffed and thrown in paddy wagons for nothing more than having a drink and a cigarette with another man.
The movie is inevitably flawed - how could it not be. It has been years in the making, through script changes, director changes, concept changes and always the question - how much does one show, how far do you reveal Milk's darker side - after all, we need heroes and Milk is one of the great gay heroes of any age - bold, reckless, imaginative, selfish and sacrificial all at once. He was the champion for a movement yet declared that he was just a figurehead, and he was a man who having wandered restlessly in life, found a mission, a community, a purpose. Who knows what he might have gone on to accomplish had he lived. Would he have been effective in mobilising the community early against AIDS? Would he have died of AIDS? Would he have sought higher office outside the confines of the Castro? The terrible truth is - he accomplished everything we could have hoped for in a visionary and more - by dying, and dying a martyr's death in City Hall, along with his ally Mayor George Moscone at the hands of a man who had also started his political life trying to represent the good people who elected him, but was out of his league in San Francisco's electrifying time of change in the 1970's.
The movie is long overdue, yet how more perfect could this timing be in light of the passage of Prop 8? What the history lesson contained in the film provides is a marked contrast between the passionate fight for the civil rights of teachers threatened by the obscene Briggs Initiative (Prop 6 in 1978) and our failure to bring those lessons to the Prop 8 battle. Could it be because 'gay marriage' rights don't even really have the full support among queers? Could it be that we failed to attack the proposition at it's weakest point - the hysteria generated by Prop 8 supporters that our schools would have to teach a 'homosexual agenda' if Prop 8 failed, and the very real truth that we are not present in the churches (of all persuasions, denominations or ethnicities) and that unless you can be where the misinformation exists you have no power to change it.
'Milk' is a major achievement, and gives credit where credit is so very due - to the community that nurtured Harvey Milk, to the individuals who worked for him, to the many who congregated at Castro Camera and made it the hive of gay energy that it was, to those who changed their lives to ensure his passage into history, to Scott Smith who never stopped loving Milk even after their intimate relationship was over and who died of AIDS related complications, to Jack Lira whose personal demons could not be soothed, to Cleve Jones whose own passionate activism was ignited by Milk, to Danny Nicoletta, a photographer whose work is an astonishing archive of 30 years of this community and who I am privileged to call a friend, and many others - and the one dyke clearly identified in the film Anne Kronenberg, whose political savvy and guts brought political power to the first gay man elected to real power in the United States.
Watching the film at the Castro Theatre on the very day, 30 years after Milk was shot to death in City Hall was a perfect way to spend Thanksgiving - among a crowd of people who know just how far we still have to go, and watching a story about how far we've come. Susie, Bonnie and I left the movie theatre walked along Market Street, had dinner in a small restaurant and headed home.
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